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Angle

Lighting

Montage

Framing
 

 

 
   

Framing, the overall composition of the shot, is the placement of people and objects within the border of the film frame.  Composition greatly influences the audience’s experience of a movie and allows filmmaker to emphasize people or objects that hold more importance than others. 

For example, if a filmmaker chooses to place a character center and more forward in the frame and light that character more brightly, the audience’s attention will focus more directly on that character.  The cinematographer generally works with the director to determine how each shot will be framed.  But framing isn’t unique to filmmaking.  Still photograhers and painters must also determine how they will frame their compositions.

 

Follow the links below. Consider the following questions as you view the paintings and photgraphs:

·      How did the artist “Frame” the painting?

·      How are the people/ and or objects in the paintings arranged?

·      How did the artist light the scene through the use of light and shadow?

    You may write your answers on a separate piece of paper, or open up a word document of the worksheet to type on here:

Framing the Shot

George Seurat  Un dimanche après-midi à l'Ile de la Grande Jatte

http://www.ibiblio.org/wm/paint/auth/seurat/grande-jatte/seurat.grande-jatte.jpg

 

In a sentence or two, describe why you think the framing in the painting is effective:

 
     

Edward Hopper  Nighthawks 

http://www.ibiblio.org/wm/paint/auth/hopper/street/hopper.nighthawks.jpg

 

In a sentence or two, describe why you think the framing in the painting is effective:

 
     

Ansel Adams  choose one photo

http://www.pbs.org/wgbh/amex/ansel/gallery/index.html

In a sentence or tow, describe why you think the way Adams framed his photograph is effective: